I’m very excited to announce that the first issue of my next comic series, Victus, is now available for pre-order! Here is a description of the first issue:
In a timeless city, a young thief named Isaac struggles to connect with a beautiful girl. The bartering inhabitants are challenged by the public speeches of a great thinker, while a mysterious man constructs a machine powered by stolen religious relics.
Victus is a deus-scientia fiction comic that explores both the purity and corruption of human relationships. It features foot-chases, strange technology, exotic animals, and thought-provoking philosophy. Each book is presented as a precious object for readers to experience intimately and engage with emotionally.
Here’s what the book looks like:
My printer, Rink, has done an outstanding job on the books and I think you’ll love the final product. There are more images of the product and 6 preview pages available on my website:
As a bonus, I’m including a free 8.5×11″ print with all orders received before June 17th.
As an extra bonus, the first 10 pre-orders will receive original pages taken directly from my Victus sketchbooks. That’s right, I’ll just rip them out, sign them, and send em along with your spiffy copy of Victus.
All pre-orders will ship by June 17th. SO… What are you waiting for?!? GO…
LAYDEEZ DO COMICS
Although I am not a lady, I very much appreciate all ladies and I happen to do comics. I’ll be speaking as part of the Laydeez Do Comics series this Thursday, May 30th, at Quimby’s Comics. Please come down to hear me rant about my life as a comics artist. I guarantee that you’ll hear something new about me (for better or worse).
I’m honored to be participating in a group show called Modern Storytellers at Ugly Stepsister Gallery. The list of artists includes talented friends like Marnie Galloway, Ashley Elander, and many others. The show opens on June 14th, so more info will be coming soon. Hope you can make it!
Thanks everyone for all your support!
So, before I tell you how collaboration has saved my butt on multiple occasions, a couple announcements:
1. I’ll be speaking at the best comic book store in the country, Quimby’s, on May 30th at 7pm! I’m speaking as part of the Laydeez Do Comics series (I know I know, I’m not a lady). I’ll share the proverbial stage with Sarah Morton. These talks are always a lot of fun, so if you are in the Chicago area, I hope you can attend. I promise to share some juicy secrets! Here is the info:
2. As this post is about collaboration, I think it fitting to announce that I’ve had the privilege to collaborate on a podcast with the amazing Justin Fah of In This Issue Podcast. It’s called Back Issues. On the show we analyze older comics that we’ve always wanted to read, or always loved, or know to be essential. First we did Green Lantern: Willworld. Our lastest episode is focused on the classic X-men storyline ‘Days of Future Past’. You should subscribe to the show In This Issue Podcast on itunes or listen directly on their website:
Now, on to the meat!
So… I always wish I could do everything myself. That’s cuz I’m dumb. One of the areas I struggle with the most is graphic design. It’s an area that folks that who self-publish often under-utilize or ignore. It’s unfortunate, because I think it keeps their (my) work out of a large number of consumers hands. We live in a world saturated by design. As Steve Jobs said, ‘design matters’. Very true. No matter how much your comic rocks, if you can’t put it in a package that communicates that the work is professional, you’ll have a hard time selling it.
Since I struggle so much in this area, I often lean on my friends for help. In particular, I know this dude named Gerald Proctor. Gerald is a college buddy that has quite a talent for graphic design and all things digital art related. I got to know him through many a long night of Halo death matches in the dorms (yes I’m a nerd). The first time we collaborated was in college on a poster for my comic Simon. I gave no specific direction, so Gerald brought his own style to the piece:
It was really exciting for me to see someone take a concept like Simon, that up to that point only I had done, and explore it in their medium. Years later, Gerald helped design the cover for my Simon 10 year collection:
I’m fairly sure this cover has helped in me selling out of the first printing of the Simon Collection. Now, to the untrained eye, this cover might not look too complicated. Which, honestly, is the beauty of it. It just works and you see it as another piece of fitting design. The same way you see a book on the stands of any bookshop and just ‘get it’ at first glance. Now, without Gerald’s help, the cover would have turned out much different. To give you an idea of how bad this cover would have been if I had created it solo, here are some of my cover designs before Gerald joined the project:
Pretty bad, right? That’s because DESIGN IS HARD. Gerald used texture and subtle color to accentuate the feeling the black and white line art had. This was much more effective than just simply coloring the cover in a traditional style. Not only that, but this design adds to the feeling that this book is a collection of work over time. You get a sense of history when seeing the cover, which is exactly what a collection of 10 years of comics should feel like.
Gerald also helped give cohesion to my Gary series:
When looking at the series as a whole, it becomes even more obvious how consistent and direct design helps in catching the eye of potential buyers. Gerald also created the interior layouts for the Gary series. Picking font families, alignment, and page placement is not as intuitive as it might seem to the layperson. It requires a keen eye for detail, and a knowledge of the language of graphic design.
Collaboration is not always easy. Gerald and I tend to disagree about almost everything when working on a project. But I’m a firm believer in “As iron sharpens iron, so one person sharpens another.” The disagreements lead to discussion and honest critiquing of what’s working or not working within the piece. Hopefully, after the dust settles, you have a great piece of design in your hands.
Gerald continues to be a monster of a digital artist. I highly recommend you check out his gallery of work on Society 6:
I particularly like “If I walk to you”.
I plan to do another post about collaboration soon, delving into some other working relationships. I’ve had the chance to work with some amazingly talented people. Most recently, my brother Logan and I collaborated on a new Simon comic. It went so well, we are already working on another. And of course, John Wright and I are still working on our epic cage fighting comic NUMB:
I’ll leave you with a sneak peek at 6 pages of Victus #1:
Holy cow, folks! What a weekend! Stumptown Comics Fest was fantastic! Thank you to everyone who came by to show support or purchase some books from the amazing artists exhibiting. Before I launch into Stumptown details, a couple quick announcements:
I have started a (hopefully) ongoing podcast with Justin Fah of In This Issue Podcast, where we analyze older comics that we find interesting or declare “must read’s”. The first one was released this week. Check it out as we discuss Green Lantern: Willworld, drawn by one of my favorite artists, Seth Fisher. Click below or subscribe to In This Issue podcast on iTunes:
REVIEWS & SUCH
Those fine folks over at Spandexless saw fit to finish up the Gary series with another kind review:
They also took the time to explore one of my older Simon comics, “Mercy”
Now on to the wacky exploits at STUMPTOWN…
Manning the table with me was my trusty sidekick (and younger brother) Logan.
He also helped create the newest Simon comic, which we had available at the show.
I did a few throughout the weekend, including this Simon piece.
I’d like to think this is just our first collaboration.
Speaking of Brandon Graham, I geeked out at how he one-upped Simon Roy’s signature on my
Prophet TPB. Farel Dalrymple also added his own touch. Dirty fellows.
including Mr. Jack Bracken, who did this wonderfully racy poem for me.
Reid Psaltis took a time out to show me around Portland’s very own IPRC. Cool joint!
And of course, there was much food and drink to be had. From left to right/top to bottom:
Broder, Pacific Pie (x2), Little Big Burger, Biwa, Blue Star Donuts, Lardo’s, Teardrop, more Blue Star.
Not pictured: Bunk, Luc Lac, Pine State Biscuits, Wurst
I’m not great about taking pictures, so you’ll have to look through the Stumptown Tumblr to find more shots of me and other exhibitors.
In the 11th hour, I was invited to participate in the famous Art Battle at the Stumptown afterparty, hosted by Ezra Clayton Daniels! My team was doomed to lose as we were the ‘away team’ vs. the Portland home team. But we gave it our best shot, fighting through language barriers (I’ve never had to explain auto-erotic asphyxiation to a frenchman before), shake-weights, and insults. Really, I thought including Robocop in our G.I. Joe team drawing would ensure our win. But hey, it was all in good fun.
I had an awesome trip. Special shout out to The Con Crew: Josh Shalek, Neil Brideau, Reid Psaltis, Kenan Rubenstein, & Jack Bracken. Finally all of us in one place! Couldn’t ask for a better group of creators to share a convention with. Also it was great to see the incorrigible Beth Hetland, the lovely Nomi Kane, and the edgy Ezra Clayton Daniels.
I have some BIG announcements coming in my next post. So stayed tuned next week for the details!