My Favorite Things of 2013
Posted: December 23, 2013 Filed under: My Favorite Things | Tags: best comics 2013, best movies 2013, best of 2013, best of the year 2 CommentsIt’s that time again! Time to rave about the art & media that knocked my socks off this year. A few of my picks from last year continued to be great this year, like Brandon Graham & Crew’s Prophet or Daniel Warren Johnson’s Space-Mullet. But I’ll refrain from repeating myself and just say; hey everything from last year’s list is still awesome. Go see that list:
And now on to 2013…
COMICS
Haunter, by Sam Alden
I hate this guy. He’s just too darn good. What’s great about Sam Alden is that he doesn’t run to one or two areas of comfort when making comics. His body of work is extremely varied in genre, style, and execution. The comics world pretty much agrees he’s one to watch, so I’ll just leave it at that. My favorite thing I’ve seen from him so far is Haunter, which was released on the great Study Group Comics website. It follows a hunter as she discovers ancient ruins and confronts what lurks within. It’s brave use of color, lack of dialogue, kinetic motion, and sense of tension really clicked with me.
Kingdom/Order, by Reid Psaltis
This is an example of an artist really hitting his mark. Reid has long been exploring comics with a focus on illustrating the animal kingdom and hints of man’s struggle with and within the natural world. I absolutely love all of his previous work, but it never coalesced as well before as it does in Kingdom/Order. Again, this is brought to us by the wonderful folks over at Study Group Comics (geez what’s a guy gotta do to get on this awesome site?). Reid’s illustrations have a wonderful sense of weight and light/dark. There is a beautiful simple accuracy in his representations of animals, juxtaposed with extreme pathos in the main human figure. While reading Kingdom/Order you feel that man is the foreigner in the animal world, but he is also no more at home in modern cities. And Oh my Lord the word balloons! Animals are given sound by shape iconography. It’s a stroke of genius (or genus?) from the artist. I’m extremely excited to see where Reid takes us as this story continues. Follow it for FREE at Study Group Comics.
Shaolin Cowboy, by Geof Darrow
Geof Darrow is absolutely fantastic in every sense of the word. I think we are up to issue 3 of this series and there has been about 4 lines of dialogue and 500 zombie deaths by dual chainsaw staff. Full page spreads populate each issue, detailing the pandemonium of the Cowboy’s battle while sound effects buzzzzz and the fuel gauge of the chainsaw slowly empties. This is the kind of exploratory and brave piece normally only seen in self-published comics these days. Bravo to Geof and bravo to Dark Horse for printing it!
The Private Eye, by Brian K. Vaughn & Marcos Martin
Man, what a great idea. Format a book for the iPad, release it digital, and let folks pay what they want for it. Include special features like a making-of issue and Q&A at the end of every issue. Add to that Marcos Martin’s kinetic art and a very relevant sci-fi story and then try and stop me from throwing my money at you. This series follows a private investigator in a world where the ‘information cloud’ has popped. People value their privacy above all else, wearing masks everywhere they go. This work is full of small touches that comment on the world as it is now, while also giving us a compelling character in the P.I. Go give them your money now!
Battling Boy, by Paul Pope
Here is another book that’s sure to be on everyone’s list, so I’ll avoid waxing eloquent too much. At this point, if you don’t know who Paul Pope is and you don’t understand his magic, I really have no hope for you. This book is basically Paul emulating Jack Kirby’s fourth world. If that’s not the greatest elevator pitch of the year, I don’t know what is.
Dumb, by Georgia Webber
I met Georgia at C.A.K.E this year. That show was full of some of my favorite artists, but Georgia’s work really stood out. She has a style that reminded me of my old favorite Anders Nilsen. The book is an autobiographical account of Georgia’s loss of her voice and how it has affected her life. The overall design of the project is simply and stunning. Georgia makes some very good decisions at every step of the way, from her use of red word balloons to the text of months breaking the panel borders to the perfect double page spread Each choice serves to enhance the themes in the book, giving the reader easy access to the experience. You really need to check it out.
Tiger Beat Exclusive, by Gina Wynbrandt
Oh you don’t know Gina? She’s only the funniest comics artist working right now. Go read about her creepy obsession with Justin Bieber, bizarre Kardashian beauty advice, and general lampooning of teen culture and I guarantee you’ll get rock hard abs from the ensuing laughter. In all seriousness, Gina has tapped into a form of humor reminiscent of Tim & Eric, with a little Michael Kupperman thrown in. Instead of being joke-y, Gina gives you a peak into a character’s inner monologue, exposing the ridiculous thoughts that permeate her head. I rarely laugh out loud when reading a comic, but her work has me rolling every time. She is one to watch.
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MOVIES
This is the kind of film that defies definition and description. It hits you in much the same way as Terrence Malick’s work, in that you are left with an impression more than a story. The feeling you get from the film supersedes any simple narrative. That’s not to say there is no story in this film, because there is. But you feel more like you’re experiencing the characters’ stream of consciousness. It helps that the film is beautifully shot, with a near perfect soundtrack. It’s a challenging film and really benefits from repeat viewings. It’s on Netflix so you have no excuses… watch it!
Don Coscarelli reminds of the awesome indie comics artists I know. He has a sensibility that is always on the fringe, with influence and collaborations that push his work further with each iteration. Rarely does a movie come a long these days that truly ‘has everything’ and is as crazy as this film. I’m not even sure how to describe it… Hm… I guess it’s about two guys whose exposure to a drug called soy sauce leads them on an adventure though dimensions in which the fate of the world hangs in the balance? IDK. The pure invention and breadth of ideas present in John Dies is impressive and admirable. Plus it’s extremely funny and well acted. The source material by David Wong is even more far-reaching, but the film does well in cutting it into something that gives the impression of a larger world full of insanity.
Vin Diesel crashes his car into the railing of a bridge going in the opposite direction as a hijacked tank on which his amnesiac ex-girlfriend is perched but that tank is also being flipped by a cable that is anchored by a crushed car, which sends the amnesiac girlfriend fliying through the air only to be caught mid air by Vin Diesel who was launched from his crashed car over the gap between suspended highways, then the two land on a car’s windshield which breaks their fall as the tank flips over incapacitating the villain who has attempted to steal the final component to a doomsday device. In the first one they stole dvd players. I love these films.
Giant robots fighting giant monsters from another dimension. and Ron Perlman. DUH I loved this movie. Del Toro is really the devil in the details. He injects fun ideas and homages into everything from the costumes to the sets to the fight scenes. This film is a beautiful bombastic special effects extravaganza.
Ok now this is for real… I think Riddick is one of the few rays of hope in the sci-fi film landscape these days. We are seeing a lot of sci-fi movies, but many of them are devoid of invention, attitude, or actual science fiction. Riddick takes the character back to an (almost identical) situation as Pitch Black. You see him surviving alone and injured on an alien planet for the first 30 minutes of the film, in what is one of the coolest openings in recent memory. It lives in the same world as the Prophet comics, as a ‘Conan in Space’. Riddick is the character that Vin Diesel was born to play, and he seems to put more effort into his portrayal than you see in other films (FF included). The film feels small, but gives you a sense of a large, imaginative sci-fi landscape. It’s full of tough guys, crazy monsters, and bad-assery.
I was very surprised by You’re Next. I went in unaware of the film’s background. Once the credits rolled though, it all made sense. There is a group of filmmakers trying to keep horror scrappy and relevant. Like Adam Wingard and Ti West. While not all of their films have worked perfectly, this one hits on all cylinders. It has new takes on genre staples and presents interesting and graphic murders that you would expect. But the characters are for the most part unlikable and awkward, leading to humor throughout. And I mean this in a good way. There is very little in the characters that could be seen as conventional, but a lot that can be seen as real. Seeing a horror film that presents a unique (and perhaps more realistic?) vision of how people behave in horrific situations is long overdue.
I’m kicking myself for not seeing this in the theatre. It is absolutely gorgeous. And not due to Ryan Gosling’s appearance. Refn shows us a not-unfamiliar Thailand, but it’s almost like a fresh look on what we understand to be the world of Bangkok. Many scenes play quietly, as if the whole film is taking place in the early hours of the morning or in the day time after a night of heavy drinking. We are presented with characters whose actions reveal their morals and goals slowly as the film progresses. It’s not until the final 20 minutes that you feel you really understand where everyone is coming from. This makes the film somewhat laborious to watch (that is, if you can’t appreciate the gorgeous visuals), but the overall sense you get calls into question vigilantism, colonialism, and loyalty. Oh and it has a karaoke singing, machete wielding, vigilante.
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MUSIC
I have to say music was a little slimmer pickin’s for me this year. So there is one cheat on here…
Run the Jewels (Killer Mike & El-P)
These two gents both had albums on my list last year, so it’s probably obvious that their collaboration this year would make my list. But two good things don’t always combine for something great (Like when Ozzy & Miss Piggy got together). Luckily, Mike and El are in top form as Run the Jewels. This record hits hard and fast. Featuring some of El-P’s heavy sci-fi influenced production and Mike’s vocal passion, there isn’t a thow-away track on the entire album. The record plays fun and energetic, but not devoid of truth. Seems like two talented, earnest musicians having a good time.
Sorrow & Extinction, Pallbearer
Ok so this is the cheat. I must admit that I was not aware of this album until this year, although technically it was released last year. But dude…. this album is so heavy and perfect I had to mention it. I was immediately reminded of Sleep’s epic Dopesmoker while listening to Sorrow & Extinction. The album is 5 epic tracks, running from 8-12 minutes each. While firmly planted in the doom-metal genre, Pallbearer’s slow riffs are peppered with beautiful melodies and moments of transcendent peace. The vocals really shine, as the lead singer’s voice is honest and strains for notes occasionally. This mirrors dark and sad lyrics which guide the listener on a journey of mourning. This has officially becoming my ‘music to ink by’ while making comics.
Hesitation Marks, Nine Inch Nails
Trent has again evolved on this record. You can hear the influences of his film score work with Atticus Ross and his collaboration with his wife on How to Destroy Angels (worst band name ever, BTW). The majority of the songs have an electronic feel and are very digestible. It’s a safe record in the overall sense of popular music, but a bit of a departure from NIN’s earlier records. I was most struck by the lyrics. This is the most hopeful I’ve heard in Trent’s lyrics… and I kinda like it. He’s old now. I’m getting old. Let’s stop whining but keep making music.
Old, Danny Brown
Danny Brown is a love him or hate him rapper. His lyrics are extremely offensive at times and his vocal styling is somewhat of an assault on the ears. I obviously love it. While Danny does rap about (lots) of drug use and (LOTS) of sex, it has a reality to it which lacks in most rap. What I mean is that he doesn’t seem to use these topics as some way of bragging or status symbols. When he raps about the debauchery of his life, it’s more like an admission of his twisted state of being. That being said, Old is REALLY a fun listen from a musical standpoint. Brown changes his vocal styling a little more sporadically on Old than he did on XXX. The production is very tight, with beats influenced by dub-step, chip tunes, and even soul music.
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I hope this list intrigues and confuses you. I can’t help it but I like variety and I hope you do too. If you aren’t in to one of my picks, please don’t let that stop you from looking into another one of them.
What are your picks from 2013?
Happy Holidays!
– Tyrell
Tetsuo’s Brain Frame of Reference
Posted: December 2, 2013 Filed under: My Favorite Things, Process, Victus | Tags: akira, Albrecht Durer, art analyzation, Brain Frame, comic book influences, Ernst Oehme, Franklin Booth, Ideas Made of Light, Jack Kirby, katsuhiro otomo, victus Leave a commentBeen a while folks. Been extremely busy getting Victus #2 ready (I know I know… you’re tired of hearing it). But the files are at the printer and I should be getting a proof this week. Hopefully, pre-order options will be available next week. In the meantime, I wanted to post some of the imagery I’ve used as reference in creating the visuals of Victus.
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King Kirby is right up there with Durer for my influences.
I discovered Franklin Booth when researching. Check Him Out!
Coat of arms design has always intrigued me.
In a perfect world, this is how the Victus covers would be printed. Hand bound and embossed with beautiful rich colors. I long for the days when books are once again regarded as precious objects to be treasured by the maker and the reader.
I wanted the city to dance between feeling realistic in perspective and having the flat quality of 16th century paintings.
The mood and presence captured in Ernst Oehme’s paintings are incredibly striking. You get a sense of a place, a time, and an emotion in every painting. Check Him Out too!
An early rendition of Nuremberg. This is exactly the kind of city I wanted to emulate in Victus, historically and visually.
Issue #3 will feature something to tie this in…
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I encourage everyone to look at as many works of art and nature as you can when preparing for a project. I love the process of discovery that accompanies visual research. It’s like falling in love for the first time. But without the inevitable nasty breakup.
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IDEAS MADE OF LIGHT: KATSUHIRO OTOMO
I was honored to be a guest blogger on Ideas Made of Light, hosted by the great Scott McD. Here is a link to my post where I take a close look at this Akira title page by manga-god Katsuhiro Otomo:
Scott’s blog analyzes all different types of artwork. If you’ve never read it, I highly recommend you do so. Every artist or art enthusiast can learn something from Scott’s insights.
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BRAIN FRAME
If I haven’t mentioned it yet, I’ll be doing a reading at the wold famous Brain Frame in January. I’m composing a performance specifically for the show, so I encourage anyone in the Chicago area that to come out for comics chaos! I’ll have more details closer to the date, but here are some of the sketches I’m working on, along with some Prophet fan art and a creepy pic of me lightboxing:
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I have more exciting news on the way, but I can’t quite announce it yet. But if you like Sci-fi, you’ll want to stayed tuned.
– Tyrell
Time after Time
Posted: October 27, 2013 Filed under: My Favorite Things, Process, Victus | Tags: alfredo aclala, dave chisholm, donuts, frank frazetta, inking techniques, owls, time-lapse, victus, wally wood, wolverine, wolverine's hair Leave a commentHey!
Been busy with Victus #2. I’m happy to say there is only 1 page left to draw. But don’t hold your breath just yet. I have to finish the covers and title pages. Here are some peeks:
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TIME-LAPSE
Last weekend I recorded a time-lapse video of me inking a page from Victus #2. Check it out:
Oh hey, a vague release date! Way to go me. More video content is on the way next week!
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INSPIRATION
Stuff I have been looking at:
Old Frank Frazetta pageAlfredo Alcala with some awe-inspiring inks
Wally Wood tearin’ it up on Weird Science
I couldn’t resist this Punisher/Wolverine for a $1 at the comic shop last week!
I love the way Gary Erskine draws wolverine. Check out his ‘disguise’.
Dart! I like Wolverines hair here. I could do a whole post on odd-ball representations of Wolverine.
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INSTRUMENTAL
I met this dude named Dave Chisholm at SPX who is working on an awesome comic about a guy with a magic trumpet. This is one of the more interesting and well-made comics I’ve seen lately. It’s got the energy of Pope and Jeff Smith. I highly recommend you check it out!
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PHOTOS I TOOK
A panoramic of me and Mrs. T’s studio
Some donuts from Do-Rite Donuts!
And of course, I always need to throw some clouds in there.
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I have some more exciting projects/announcements on the way. Stay tuned!
– Tyrell
8 Things & New Things
Posted: October 9, 2013 Filed under: Back Issues Podcast, My Favorite Things, Simon, Victus | Tags: 8 things, Beth Hetland, Brandon Graham, Gina Wynbrandt, katsuhiro otomo, Kenan Rubenstein, Reid Psaltis, Rinko Endo, simon comics, The Maxx, Upgrade Soul, victus 2 CommentsBeen a while. Sorry about that, but I assure you I’ve been busy. So let’s get to it!
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8 THINGS I’D LIKE TO SEE MORE OF IN COMICS
I became aware of this topic via a tweet by Brandon “I will use my comics powers for good” Graham, then followed up on a couple other bloggers thoughts on it…
Here:
Here:
and Here:
Comic Book Resource’s Jesse Hamm
And immediately I was thinking about how I always complain about comics, but rarely do I say what we really need more of to improve the medium as a whole. All of the above gents make great points, so I’ll try not to just list the exact same things as them (though some of mine are similar). In no particular order:
1. Stylistic Diversity in Artwork
I’d like to see more artists who don’t just ‘look like (name other artist)’. Mainstream comics are like that movie Wrong Turn. They have been inbreeding so long that you end up with deformed characters drawn by artists with no sense of real anatomy and proportion. It’s like an exaggeration of an exaggeration. I don’t want to see a comic and immediately think of another comic book artist. Artists should strive not only to stand out from each other, but to make each work feel unique from the previous one.
Positive Example: Katsuhiro Otomo. We all know him for Akira, but the dude’s short stories span all genre’s and styles.
2. Influences from mediums outside of comics
We need to reach outside of the medium for influence, reference, and inspiration. If you are working on a new project and the only thing you are looking at is other comics, you are failing. We have 100’s of years of art, music, and literature to look back on, so why is it that every sci-fi comic looks like Blade Runner and every Superhero comic looks like Superman? I want to see comics influenced by Davinci! By the Venus of Willendorf or the Lascaux cave paintings! By Brahm’s Requiem and Jackson Pollock!
Positive Example: Reid Psaltis takes a very direct influence like natural history illustration and runs with it!
3. Hand Lettering
The lettering of a comic is not something that should feel pre-packaged. It’s another aspect that gives a creator a chance to literally make their mark. Hand lettered speech, thoughts, and sound effects should feel unique to the story being told and unique to that specific artist. We use hand-writing to identify people in court cases, for crying out loud! What’s more YOU than your handwriting?
Positive Example: Sam Alden (see above) uses a variety of fonts, balloons and sound effects which are tailored to each story.
4. Diversity of genres
Comics should not be a section of the book store next to Romance, History, Philosophy. Romance, History, Philosophy should be sections IN THE COMIC BOOK STORE! We all want to be taken seriously, but the extremely narrow amount of genres and topics covered in mainstream (and indie) comics is absurd. When’s the last time you read a comic about philosophy? Or religion? Or Australian Aborigine tribes? Or history that didn’t involve zombies? AND WHY ARE THERE NO ROMANCE COMICS ANYMORE?
Positive Examples: Rinko Endo makes comics about mental health issues (pictured above). They are absolutely stunning.
5. Odd shaped and non-traditional comics
Comics don’t have to be ‘standard’ sized. Especially independent comics! Why are most comics the same size as the latest issue of X-men? Why are most comics rectangles and squares? Why don’t comics fold out in multiple directions? Why are they all on paper? If a standard size comic can be read on an ipad, why should I buy the physical copy? Comics should be unique objects whenever possible, to give the potential reader a reason to buy a physical object that will take up space in their home.
Positive Examples: Beth Hetland’s ‘Hay!’ comics are unique objects AND choose your own adventure comics
6. Special Features
I love to see the process behind any piece of art. It’s interesting and gives insight into the artist’s thought process. Seeing how others make or struggle to make their work inspires me to continue on in my struggle as a creator. I’m not just talking about some sketches in the back of a trade paperback (though that’s a start). I’m talking blogs that explain how my favorite book of the year was lettered. I’m talking audio commentaries for the comic that can be downloaded and listened to while you read it. I’m talking video time-lapses of the pages being created. There are some folks that do give peeks into their process, but it’s rarely project specific and isn’t usually tied to the release or post-release of the work.
Positive Example: Kenan Rubenstein has a SLICK interface for his webcomic Last Train to Old Town, which shares insight into each pages creation and allows for readers to interact.
7. Digital Comics that take advantage of being digital
Most ‘motion comics’ are absolutely terrible. Just the worst thing that could possibly be done to a comic book. I want to see artists that choose to work in the digital medium take full advantage of it. The tablet devices are full of functionality and features. I want the digital comics to show me that they can ONLY exist digitally. Colors that change in panel. Word balloons that pop in or out depending on where you tap. Sound! And I don’t mean cheesy sound effects, I mean ambience and music.
Positive Example/s: Kenan (mentioned above) and the now-extinct Double Feature from Four Star Studios are both good examples. But my favorite digital comic is hands down Ezra Clayton Daniel’s Upgrade Soul (see above). It’s a tour-de-force in digital comics!
8. Cross-promotion between creators
Comics should feel like a community. Just like anything else we buy, you’re more likely to pick something up if it’s recommended to you by someone you trust or respect. All the advertising in the world won’t help niche weirdo comics (like everything I’m asking for above) get into a reader’s hands. But if they are at a convention, speaking with a creator, and that person is aware of the rest of the community, they can point the potential reader in the right direction. People buying ANY COMICS is good for everyone MAKING comics. So what if they don’t want to buy my book about a serial killer? They might be really interested in Gina Wynbrandt’s Tiger Beat Exclusive. So SEND EM OVER TO HER! We need to promote eachother, not just ourselves.
Positive Example: Brandon Graham is constantly pimping cool creators on his blog and in backup stories in Prophet. Can you imagine if all high-profile creators were taking time to show us the new people whose work they love?
That’s my thoughts on what we need more of. What do YOU think?
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NEW BACK ISSUES PODCAST
Justin and I sat down to analyze Sam Keith’s The Maxx on the latest Back Issues. This dude was on the edge at Image, with a bizarre book that took on rape, dreams, and comics industry tropes. Oh… and there was the Crappon. We loved it. Please listen:
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VICTUS #2 & SIMON: PUGILIST UPDATES
Still Plugging away at Victus #2, but getting closer every day. Here are some sneak peeks:
And Simon: Pugilist has made some great headway, with my bro really stepping it up on the writing. PEEKS:
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Here are some random things I looked at lately:
Got some cool comics over the last couple weeks. Have had ZERO time to actually read them. Kirby’s 2001, Reid Psaltis Panic, Pope’s Battling Boy, Brandon Graham’s Multiple Warhedz, Darrow’s Shaolin Cowboy, Sam Bosman’s Fantasy Basketball, and some Grendels I got from DWJ.
Found this acorn nut thing on one of my walks.
Had some delicious Sukiyaki from one of my all-time favorite places, Sunshine Cafe.
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That’s all for now folks!
– Tyrell
SPX 2013!
Posted: September 11, 2013 Filed under: Back Issues Podcast, Conventions, My Favorite Things, Victus | Tags: Beth Hetland, Comic Book Conventions, independent sci-fi comics, Josh Shalek, Kenan Rubenstein, Marnie Galloway, Neil Brideau, science fiction comics, scott Kroll, Small Press Expo, SPX Leave a commentHey ya’ll!
Quick post here to let everyone know I’ll be at Small Press eXpo this weekend in Bathseda, Maryland! I’m very excited, as I’ve heard great things about this show ever since I started exhibiting at cons. It also helps that it’ll be a room full of amazing artists whose work I love and respect. It’s especially good to see some of the Panel Savants there:
Neil Brideau
Kenan Rubenstein
Josh Shalek
Along with my good pals:
Marnie Galloway
Beth Hetland!
Here is a map of where to find us this weekend:
Please come by and say hi! If you mention the blog, I’ll have some free swag for you!
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BACK ISSUES
New episode of Back Issues is up! Justin and I put a bullet in the head of Spider-Man: Kraven’s Last Hunt. Well worth a listen, as it’s the first book we didn’t gush over:
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VICTUS #2
Yeah, still plugging away. Here is today’s snippet:
OTHER STUFF
A new pal, Scott Kroll, posted a very cool short sci fi story. Please take a look:
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I really like this:
Hope to see some of you this weekend! A full report will follow after the show!
– Tyrell
Still Alive
Posted: September 2, 2013 Filed under: Interviews, My Favorite Things, Victus | Tags: comic book techniques, Daniel Warren Johnson, doughnut vault, J.M. Dragunas, Max Miller, Mike Manomivibul, Princess Bride, Space-Mullet, victus, Wizard World Chicago Leave a commentGeez, where did August go?
Sorry for the lack up updates. It’s been a busy month of drawing, work, drawing, concerts, drawing, friends, and drawing. Couple neat things…
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9 QUESTIONS WITH MAX MILLER
The extremely talented Max Miller was kind enough to ask me 9 questions on his blog, which I did my best to answer:
Thanks Max!
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Wizard World Chicago has come and gone. Though I think the show itself is not fantastic, I did get a chance to hang with pals Daniel Warren Johnson (Space-Mullet) and Mike Mano (Princess Bride illustrator). It was good times. And I had the fortune of meeting a new artist whose work impressed me a lot:
We had a good chat about Durer, engravings, and medieval art in general. Check his stuff out!
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Other than that, I’ve been working on Victus #2 and enjoying the summer. Here is my life in pictures:
Victus #2 is in inking stages now
Referencing issue #1 as I sketch out new pages
Victus #2 is full of some new mysteries
Here is an example of the thumbnails for Victus #2
Spent some time with Durer at the AIC
Said hi to Hokusai too
Made a couple trips to Doughnut Vault this month… drool…Enjoying the cloudy days in Chicago lately
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Thanks for checking in ya’ll! Some new stuff is headed your way next week so come back and visit!
– Tyrell
We were always coming back…
Posted: July 28, 2013 Filed under: My Favorite Things, Numb1, Process, Victus Leave a commentHey hey! Been a while! Sorry for the silence. Things have been busy, but good! I wanted to take a minute and give some quick updates, and post some pics of what’s happenin’…
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New Episode of Back Issues Podcast is up!
Justin and I spend some time analyzing Geof Darrow and Frank Miller’s Big Guy and Rusty, but also proclaim our love for Pacific Rim! Check it out:
Subscribe if you haven’t already:
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COMIC ART BATTLE @ MCA
So, yesterday I was in the ultimate comic art battle at MCA! Hosted by the great Ezra Clayton Daniels! Here are some pics:
Ashton Kutcher and Mila Kunis happened to be there too. Sorry I was too busy to get a pic of them.
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VICTUS
Victus #2 is coming along. Here are some peeks…
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NUMB
John has finished layouts for all of issue #1. Here is a snap of some pages…
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INSPIRED
Here’s some stuff I’ve been looking at lately…
Been Re-watching Neon Genesis Evangelion. Amazing stuff.
A leaf I found on one of my walks.
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Thanks for reading ya’ll! More news coming!
– Tyrell
I went to Chicago Zinefest 2013
Posted: March 15, 2013 Filed under: Conventions, My Favorite Things, Simon | Tags: Ashley Elander, Beth Hetland, chicago zinefest, Chris Garcia, In This Issue Podcast, Kseniya Yarosh, Marnie Galloway, R. Hendricks, Zinefest 2 CommentsChicago Zinefest ROCKS!
I had tabled at Zinefest in the past, but this year I opted to just attend and enjoy the show. And boy did I! This show was full of some awesome folks! Here’s some of what I saw:
The Great and Powerful Beth Hetland had her Hourly Comics minis available!
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The always fantastic R. Hendricks (Stranger Two Stranger) had this awesome mini of portraits.
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Ashley Elander was, as usual, putting the rest of us to shame by showcasing her phenomenal drawing skills.
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I fell in love with this accordion mini compilation of text book illustrations from Kseniya Yarosh.
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I was happy to catch up with the lovely Marnie Galloway, who had the new editions of In the Sounds and Seas.
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Next to Marnie, I discovered a talented gentleman named Chris Garcia. He had previews of his upcoming beautiful first comic ever (!)
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And the youngest and most enthusiastic exhibitor at the show had to be Henry Comerford! Super awesome one page comics!
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All in all, Zinefest 2013 was a blast. I can’t wait to see more from all these folks. I really need to table here next year!
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Here’s a preview of a new Simon comic I’m cooking up…
I thought I had posted this before, but I guess not:
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I did this poster for the fine folks over at In This Issue Podcast. It just so happens I’ll be tabling with these goofballs at TRICON in 3 weeks!
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Thanks for checking in ya’ll!
– Tyrell
Emerald City Comicon this weekend!
Posted: February 26, 2013 Filed under: Conventions, Gary, My Favorite Things, Process, Victus | Tags: alternative comics, Comic Book Conventions, emerald city comicon, Gary: Book 3, independent comics, independent sci-fi comics, Josh Shalek, victus Leave a commentHey hey hey…
So Con season has officially begun. I’ll be tabling at my first show of the season this weekend, March 1st-3rd at Emerald City Comicon in Seattle, WA.
You can find me with the awesome Josh Shalek at artist alley table S-09:
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Josh is the man behind the extremely amusing & poignant Welcome to Falling Rock. I hear he might be premiering some brand new printed comics at this show. I highly recommend you pick one up! I will be filling my part of the table with the complete series of Gary (books 1-3), as well as the Simon Collection, and a new Simon mini comic. I’ll also have some promotional handouts for my new project, Victus. Here’s what the back looks like:
Woops… Did I just announce when the first issue is coming out?
Speaking of Victus, here are some sneak peeks at my progress…
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I’m very excited for Emerald City Comicon and I hope you pacific northwesterners can come out to the show! I’ll leave you with a breakfast moment of zen, courtesy of Walker Brothers Original Pancake house…
This must be what drugs feel like.
– Tyrell